Shown below are the Maxfield Parrish paintings which we currently have for sale as of May 2014. Brief descriptions, dates, and background information follow the pictures. You may click on each icon for an enlarged view.
Let me know if any of these are of interest by sending me an email at email@example.com for prices, additional information, history, condition, and which museums have exhibited them and what books have shown them as illustrations.
Remember: an enlarged view is available by clicking on any thumbnail image.
1. Cutout for Prince Codadad’s Pirate Ship. 1906. Size: 19 1/2″ x 12 1/4″. Media: Brown paper and pencil cutout done in preparation for the finished work owned by the Detroit Art Museum. SOLD.
2. Dreaming/October. 1928. Size: 32″ x 50″. Media: Oil on board. Extremely famous and rare work, the only one in existence that graphically shows how the artist painted. It was done originally for the House of Art as “Dreaming”. Parrish decided to change it into an ode for October and was working on it when he died. From the former collection of Whoopi Goldberg. PRICE UPON REQUEST.
3. Study for Comic Policeman, Foot on Stirrup. c. 1910. Size: 5 1/2” x3 7/8″. Media: Brown paper, crayon and watercolor. PRICE UPON REQUEST.
4. What They Talked About. 1899. Size: 14″ x 10″. Media: Three pen and ink finished drawings which are the originals for three of the thirteen tailpieces used for the book: Golden Age by Kenneth Grahame, published in 1899. PRICE UPON REQUEST.
5. The Elf . c. 1920. Size 27″ by 15 1/2″. Media: Oil on 1/4″ pressboard (also sometimes known by its trade name Vehisote). This recently discovered study for an image of “The Elf” will be familiar to Parrish fans as the visual theme used in the 1920 advertising campaign for Hires Root Beer. It is an unusually large work, but one completely in keeping with the size expected for an advertising poster. PRICE UPON REQUEST.
6. A cutout showing a design for a silver lamp, done for Mr. and Mrs. Cameron Forbes in Massachusetts. Dated prior to a final design in watercolor done in 1898. This cutout piece is a recognized Parrish item with the Ludwig I.D. number 851. The finished lamp was intended for installation on the Forbes family private yacht. PRICE UPON REQUEST.
7. Lady Violetta Examining the Tarts. 1923. Size 19 1/4″x 14 3/4″. Oil on board. Illustration for the famous book by Louise Saunders: The Knave of Hearts, published in 1925. A beautiful painiting, in fine condition. SOLD.
8. Study for Swiftwater/Misty Morn. 1953. Size: 7 1/2″ x 5″. Media: Oil on board. Don’t let the relatively small size fool you. This is an extraordinary, finely detailed painting. Hard to believe that it was not itself the end product. However, we must call it a “study” as Parrish later produced a final painting in the dimensions he normally used for the Brown & Bigelow landscapes. PRICE UPON REQUEST.
9. “Encounter at Mermaid Tavern” c. 1895. Size 16″ x 20″. Media: A watercolor and oil sketch on paper. Unsigned. This is the earlier of two known studies by Parrish for the finished painting which illustrated a story of the same name in Century Magazine. Both studies are in the same media, and on the same kind of rough-surfaced paper. Both are exactly the same size. The later study is signed with a script “Parrish” on the lower right side. This study is not signed. This particular study was discovered by Maxfield Parrish, Jr. among his father’s papers during his administration of the artist’s estate. He authenticated this work in a letter to Alma Gilbert in 1976. PRICE UPON REQUEST.